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Long before Tom Hardy starred opposite Leonardo Di Caprio in films like “Inception” and “The Revenant,” he played Shinzon, the villain in “Star Trek: Nemesis.” Shinzon was a clone of Patrick Stewart’s Jean-Luc Picard.Jeffrey Dean Morgan is familiar with playing the villian.The drawn-out Hapstall case last season lost its steam early on.

Happily, Macfarlane was able to appear in two episodes of “Star Trek: Enterprise” as a Starfleet engineer.Another “Lost” alum appeared in “Star Trek.” Daniel Dae Kim, who would go on to play Jin in “Lost,” appeared in an episode of “Star Trek: Voyager” and later as a different character in three episodes of “Star Trek: Enterprise.” “That 70s Show’s” Kurtwood Smith has appeared in numerous Star Trek projects.He was an Efrosian Federation president in “Star Trek VI: Undiscovered Country,” as the predecessor to Odo in an episode of “Star Trek: Deep Space 9,” and as Annorax in two episodes of “Star Trek: Voyager.” Tom Morello, of Rage Against the Machine and Audioslave fame, appeared twice in the “Star Trek” universe.Tom, Liz, and baby Agnes were recently kidnapped by the man claiming to be Liz’s father – Alexander Kirk.Although, their lives may not be in jeopardy, Tom and Liz’s marriage very much is.She is credited as being one of the speakers that inspired Chris Anderson to purchase the TED conference from Richard Saul Wurman.As a young softball player, she once held the youth league record for stolen bases in softball.Things get messy when it turns out that the mother is one of Tristan’s teachers, who knew about his history of abuse at home and took advantage of him.Bonnie’s own history comes to the surface, and Liza Weil continues the magnificent work she does in last week’s episode.In one of the best moments, Bonnie goes off on Asher, asking him if the fact that he did nothing to intervene when sexual assault happened at his own party got in the way of him looking at abuse cases objectively or if that’s only true for her because she was a victim.The show never makes light of Bonnie’s trauma, exploring her pain in a way that feels more genuine than exploitative.

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